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| the best music of 2012, period |
It was kind of tough to figure out how to write a new entry in my "20xx in Review" blog feature when, ya know, it's April, and there's nothing "year-end" to review. But I am committed to this week's bit, and I am going to put something together if it kills me.
Something that has always bothered me is that I have years of Top Ten Albums of the Year lists on here, but there's never been a Top Ten for 2011 or 2012. For one, I wasn't blogging that much at the time. For two, I wasn't listening to all that much new music (if I recall correctly, I spend half of 2012 listening to my entire iPod in alphabetical order by song title).
But as a completionist, I'd like to have those lists on the blog, please and thank you. So that's what I'm going to do today. I did officially pick a #1 album of 2011 and 2012 at the end of each respective year, and those #1s didn't change here (only 2011's was even at risk of changing, and even then, not really), but other album rankings have been influenced by present opinions. Also, you might find that some of these albums end up in a different order than they were placed in our End of Decade coverage, but you're gonna just have to chalk that up to the unassailable truth that music tastes change year-to-year, month-to-month, and day-to-day.
I am also tossing around the idea of writing some of these blurbs as if I was actually writing them in 2011 and 2012, but I don't think that's an idea I can stretch over this entire list. Just to warn you, in case it doesn't seem to make any sense when I write something like "God I loved listening to this album after graduating from college last week" or whatever.
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2011 Honorable Mentions
20. The People's Key by Bright Eyes
19. Cloud Nothings by Cloud Nothings
18. Joyce Manor by Joyce Manor
17. Sound Kapital by Handsome Furs
16. I Am Very Far by Okkervil River
15. Belong by the Pains of Being Pure at Heart
14. Nine Types of Light by TV on the Radio
13. Go Tell Fire to the Mountain by WU LYF
12. Dye It Blonde by the Smith Westerns
11. Hysterical by Clap Your Hands Say Yeah
Top Ten Albums of 2011
10. Kaputt by Destroyer
I got into this album at my shitty job—no, not the retirement home, the other one, the "day job," the one where I sit in a cubicle for seven hours a day and review medical supply paperwork, and the other chick who got this menial job as a family favor is in my cubicle too, and we're grabbing lunch because the rest of the office is composed of 50-year-old-plus ladies who definitely don't listen to Destroyer. I don't need to write about the actual music on the album because you had a shitty job in 2011 too and read about it and listened to it just as much as I did.
9. Helplessness Blues by Fleet Foxes
I don't know if Fleet Foxes will ever top their self-titled debut—I know, I know, you have your whole life to make your first album and then like eighteen months to make your follow up, so we should be praising Helplessness Blues here. It's worthy of praise. The smoky backwoods folk is still here but it's got a little more heft to it. You can easily connect the dots between this one and the almost-too-much Crack-Up, even though that line also encompasses six years and a whole college education for Robin Pecknold.
8. Knife Man by AJJ
2021 Joe here, telling you that Knife Man wouldn't have been on this list if it was created in 2011, and not just because 2011 Joe didn't listen to it. I just know that my musical/emotional maturity wasn't quite there yet that I could appreciate Knife Man as a work of ironic art instead of a bible. Had it turned into the latter, I'd be colder and snarkier and more sarcastic than I already am. I don't think AJJ is necessarily good for your health. I needed that distance. It grew to the appropriate size by 2015.
7. David Comes to Life by Fucked Up
Downloaded this album on poor Pam's laptop after I graduated this year and pissed all over my own laptop in a sleepy sober stupor. Pam, who deleted this album after one listen, will always be my Queen of Hearts. When we met: "HELLO MY NAME IS JOSEPH, YOUR NAME IS PAMELA. LET'S BE TOGETHER. LET'S FALL IN LOVE." I also had a beard like Damian Abraham. (If you want my honest opinion, Glass Boys is probably better, but 2011 Joe isn't supposed to know that yet!!!)
6. Strange Mercy by St. Vincent
You can only be weird once, and then every time you're weird after that, it becomes more and more normalized, until eventually you're trying to be weird in new and different ways, but it's not the same as the old weird; the old weird is never coming back, so you might as well kiss it on the lips and wish it well on its voyage down the nostalgia hole.
5. Bon Iver, Bon Iver by Bon Iver
That whole thing with the cabin is apocryphal to me—I dunno, I wasn't around for it. I entered here, right around the time that the mystery man was winning Best New Artist and being lampooned by some fucking heel on SNL. I think there's a reason that Bon Iver reached his cultural zenith after his double-self-titled sophomore album, and not the wispy debut—it's simply his best.
4. Father, Son, Holy Ghost by Girls
I liked Girls' old-school California dream-psychedelia debut (Album), but there's no way it, or anything, could've prepared me for the whirlwind of the follow-up. Grand and towering and yet still precious. It's the sound of a band giving everything they had, till there was nothing left. Literally—this is the last Girls album. Burn out / don't fade away.
3. Torches by Foster the People
I think there's a temptation to say that there is nothing but hooks on Torches, like, for real, nothing, just hooks and window dressing and hot air, and shit man maybe that's true, but I'm driving around in '91 Camry and bopping along to the same song all the young kids at work are singing and it sounds pretty fucking okay to me, even if it's just hooks. I'm thinking maybe in ten years I'm still gonna be bopping along to it, but what the fuck do I know, I'm just some dumb kid in his dumb car and I like a dumb hook and I don't know anything about my future.
2. Smoke Rings for My Halo by Kurt Vile
This year, I graduated college, and six months later, I still have no fucking clue what I want to do with my life. I have a roof over my head because my parents let me stay here. I have a great partner in life because Pam is generous enough to share her life with me. But in terms of, like, the future, who I want to be, I have no fucking clue yet. I basically just spent the whole summer sleeping in till 2 PM and lying in bed and listening to Kurt Vile, whose slack bro meditations seemed to hit the spot, for better or worse.
1. The King Is Dead by the Decemberists
The "king" could be a lot of things. Could be college. Could be my youth. Could be the Decemberists' recent sound, which had gradually gotten pretty proggish and convoluted (but still fucking badass), and so if that's dead, then now they are gonna scale it back and do a back-to-basics and back-to-the-farm album. Whatever—long live the King.
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2012 Honorable Mentions
20. Handwritten by the Gaslight Anthem
19. Mirage Rock by Band of Horses
18. good kid, m.A.A.d city by Kendrick Lamar
17. Be the Void by Dr. Dog
16. Wrecking Ball by Bruce Springsteen
15. Of All the Things I Will Soon Grow Tired by Joyce Manor
14. R.A.P. Music by Killer Mike
13. Open Your Heart by the Men
12. Blunderbuss by Jack White
11. Twenty-Five for the Rest of Our Lives by the Henry Clay People
Top Ten Albums of 2012
10. A Thing Called Divine Fits by Divine Fits
Gotta love the casual toss off right there in the title—oh this is just a thing we did, no big deal. Where I come from, everything that Dan Boeckner does is a big deal. I've been waiting nine years for a follow-up to this indie rock underrated masterpiece, and writing a whole lot of stupid bullshit around it in the meantime.
9. Bend Beyond by Woods
2012 was spent in constant transition—the final days of the best job of my life and the worst job of my life that I managed to work one after the other every day for like 100 days in a row; a big move to Las Vegas, putting my feet up, and then a big move back home; stumbling into another great job at Zipcar during what will eventually become known as that company's golden years. Each time period has its own soundtrack. Here I am at the end of the year, driving Zipcars to promotional set-ups on college campuses, blasting Woods, feeling the changing of the seasons—literally, metaphorically—once again.
8. Port of Morrow by the Shins
When you leave Vegas driving West, it's endless highway, populated by yet still more casinos. You reach what you think is the edge of the earth and then again you come across another monolithic tribute to capitalism and financial instability. You keep driving but you're seeing the same thing, just in different shades of brown and red. Same with the Shins—they keep going farther and farther away from the sounds that J.D. from Scrubs made infamous, and yet I'm still hearing the same goddamn thing. And I love it. The music, not the casinos.
7. The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do by Fiona Apple
Kinda weird to think back to 2012 and realize what a child I was. If I had had any opportunity to listen to Fiona Apple back then, I would've been too intimidated. It's like how even if you think you're the big man on campus, you can walk into a strip club and your whole demeanor changes, the ego implodes, you're nothing but a little puppy around these dominant, half-naked, powerful women. I mean, this is a lady who is threatening me with whipping cords! I can't handle it!
6. Some Nights by fun.
Such a weird feeling when a band you thought was your own little secret is all of a sudden a part of the public consciousness. Even weirder when the popularity is such an ill fit that they pretty much cease to exist. Even weirder when the ostensible main attraction duets with P!nk and then just completely goes away, and the guy behind the curtain flourishes into maybe the most popular producer in pop music currently? Pretty weird year. Some nights are weird, though.
5. On the Impossible Past by the Menzingers
What I now describe as "toxic nostalgia" was, at the time, pretty much just pining for the days that had barely even ended at that point. Me and the Menzingers, we've always shared this tragic flaw. 2012 Joe and 2012 'Zingers were both still living pretty high and free, and neither of us could see it at the time.
4. King Tuff by King Tuff
Jeez, this is a suffocatingly masculine list, isn't it? Throw another straight white indie male onto the pile. Better make it some badass garage rock just in case anyone is actually still reading. I feel like I've mentioned King Tuff too many times on the blog in the past few years, as if it is some revolutionary piece of work. It's not. I mean, not really, unless you consider a simple and simply wonderful piece of modern garage rock to be revolutionary. Sometimes an album doesn't need to be life-changing for it to be great.
3. Attack on Memory by Cloud Nothings
A coworker convinced me that I should try the album again, even though it sounded nothing like its predecessor—this one was tough and mean and scratchy and it was not really something I was necessarily comfortable with at the age of 23. It's like an old pair of jeans that you squeeze into by zipping up the crotch with a pair of pliers—a little painful, but they stretch out eventually, and goddamn did they look good on you.
2. Local Business by Titus Andronicus
I took Regional Rail to the Broad Street Line to the Navy Yard shuttle, all to get blood drawn for a job, and I can't even remember which one. This was on the day Local Business was released. I was up pretty early anyway. Listened to it all day, all night, and the next day. That second night, I got fucking loaded and tried to tell Patrick Stickles what I really thought. If I could go back, I'd say: The Monitor will be my favorite album of all time for at least the next decade, but Local Business was the perfect follow-up—compact, streamlined, a breath of fresh air. Maybe then me and Patrick would've become best friends. You never know where the other path might've taken you, ya know?
1. Celebration Rock by Japandroids
Spending so much time in the 2011/2012 mindset has been a bit distressing, so, luckily, the best album of the group, as well as one of the best albums of all time, Celebration Rock, is timeless. I think about this album now the exact same way I did when I first heard it on the two-mile walk to my job in Vegas through the dry heat. Japandroids play life-affirming rock 'n' roll, and I'll listen to this shit until the day I die (which seems a lot closer in 2021 than it did in 2012, mind you).




























