Wednesday, August 31, 2016

SO/SN/SB/SB Wk. 2

Something Old
(an album that came out before 2016 that I’ve been listening to)

An old friend suggested that I give Sonic Youth's Daydream Nation another shot. Not that I haven't given it many shots in the past, and not that I necessarily disliked it. It's a really good album! It has one of the best songs of all time on it—"Teen Age Riot"—and a bunch of other rippers. Two problems, I'd argue. One, the pacing is thrown off by the fact that "Teen Age Riot" is the first, and by far best, song, so the album really has nowhere to go but down afterward. It's not a huge dip in quality, but it's a dip nonetheless. Two, some of the songs stretch for way longer than they should. When it's hitting the gas, the songs on Daydream Nation are going full-throttle. When it's in neutral, however, it stays there a little too long. Still, despite its flaws, this album is a classic, and warrants at least a few tries. Glad I gave it another spin today.

Something New
(an album that came out in 2016 that I’ve been listening to)

I only got into Andrew Jackson Jihad last year via their 2011 hit Knife Man. Since then, they’ve changed their name, and also... well no, that’s about it. AJJ's The Bible 2 is still the same cutting folk/indie rock that we all know and love. The album’s lyrics are witty as hell, and often times hilarious, and other times depressing as shit. The opening "Cody's Theme" is a great opening showcase for the band, combining a catchy chorus and a story about violence and hallucinations. Another stand-out is "White Worms," which, given the title, you can probably guess isn't sunshine and rainbows, and yet still, you can tap along to it. Something tells me I should dig into this band a little more.

Something Borrowed
(an actual music critic talks about an album better than I can)

Pitchfork’s Stuart Berman reviews Thee Oh Sees' A Weird Exits. And yes, this is Pitchfork, so it's pretentious as fuck, but in this particular case I agree with what they are saying—Thee Oh Sees are a one-trick pony, but shit, that trick is pretty neat:

"In stark defiance of pop music's "don’t bore us, get to the chorus" maxim, John Dwyer believes the best antidote to boredom is getting rid of the chorus altogether. Rather than introduce a rousing, anthemic melody to elevate a song to the next level, Dwyer takes the shortcut to ecstasy: after riding a relentless robo-punk rhythm through a couple of creepily cooed verses, he simply screams "wooo!," and uses his fuzzbox as a springboard into the stratosphere. At this point in the band’s 11-album run, you can pretty much set your watch to this maneuver—A Weird Exits’ pulsating opener, "Dead Man's Gun," dutifully triggers its strobe-lit squall at the 40-second mark. But the trick never fails to exhilarate, because Thee Oh See’s blast-off moments never feel like smooth, assured ascents—they’re more like riding a whirling fairground attraction and realizing your safety belt has come unlatched."

The full review.

Something Blue
(an album I will NOT be listening to this week, or probably ever?)

I apologize if it feels like I’m piling on. I honestly don’t know if I am. The diehard fans said her VMA appearance was pretty good, and the critics panned the hell out of it, so I'm not really sure if it was a true comeback or a weak attempt at one. Still, I know enough to stay away from aging pop star Britney Spears' Glory. It's currently sitting at 73/100 on Metacritic, which is... actually a lot higher than I expected. As I learned with Nick Jonas this week, it's childish and wrong to shit on a pop album just because it's a pop album, but that doesn’t mean I'm going to waste my time looking for something to like here. Let's just trust that it's in there somewhere and move on.

Tuesday, August 30, 2016

Last Year Was Complicated, Joe


Last Year Was Complicated
Nick Jonas
June 10, 2016

I’m 27 years old, and I’ve been listening to music seriously for long enough that not every record is made specifically for me. It would be stupid and childish to shit on an album just because I'm not in its intended audience. Unlike the neckbeards that complained about the new Ghostbusters, or grown fucking adults reviewing, say, the new Madagascar movie, I know that certain pieces of art are for certain people. I get it.

All this burying the lede to say: no, I did not like Last Year Was Complicated. But why would I? You honestly think Nick Jonas was sitting in the studio, crafting these shiny pop ditties for a snobby sarcastic 27-year-old male? Nah man, no way. Just listen to the lyrics a little bit, and it's pretty clear who the audience is—any girl who finds him attractive, and who can place herself in the song, imagining that she is that girl he is crooning about.

There is absolutely nothing wrong with that! I'm taking the high road here. I am not going to keep this album on my iPod forever, but there are some good things on here!

Let’s start with the bad though.

We can start with those aforementioned lyrics. Hoo-boy, are they corny. I feel like a lot of it is Nick Jonas trying to create a new meme or hashtag or something. The most egregious example is #champagneproblems. No, wait, I changed my mind. #bacon is the worst one. Check out this chorus:

"Late night, doing what I wanna do,
I got sleep eyes, I woke up like this,
Feelin' like, aw shit, put some bacon on it,
One thing I love more than being with you..."

I mean, this is bad right? Are they really bad lyrics, or am I wrong? Because again, this shit isn't meant for me.

Oh my god, I just googled "nick jonas bacon" and discovered that he performed this song at the VMAs on Sunday night. This is his hit single! I honestly didn’t know. But let’s reflect why this was the song he performed, and why people enjoy it. Because it is definitely not the lyrics.

I will give him credit, I listened to "Bacon" twice more, and I... kind of get it? The chorus, as cringeworthy as it is, is kind of lifted up a bit by the music. I like how the subsequent choruses escalate each time, and more instrumental music is added, so that by the end of the song, we're bumping along to a jam. Forget the lyrics, and it's not bad!

Yes, I praised the music, but unfortunately, as a whole, I just don’t find a whole lot to appreciate here on the album. I feel like every time I’m dragged out to a bar with loud Top 40 music, I hear music exactly like what is on Last Year Was Complicated. It follows the standard template of any Q102 shit you'll hear. It's unoriginal. It's cliché. But yet again—it's not for me!

Throwing a dart at random songs on the playlist, and I can find some good things, sure, like...

..."Close," which is a song I totally recognize (I think?!), and it is pretty catchy. I like the subtle steel drum flourishes, they tickle me in the right spot.

..."Comfortable," which features a totally bizarre interlude in which Nick Jonas, I’m pretty sure, is comparing himself to Allen Iverson and his disdain for practicing? It's silly and nonsensical and strangely works.

..."Chainsaw," which features Nick Jonas dropping the F-bomb, which I can totally appreciate; on another level, it feels edgy to have the pop star sing the F-bomb (if only because the bar for edginess with these people is so goddamn low, but I appreciated it all the same).

..."Good Girls," which totally overcomes "Bacon"-level shittiness in the lyrics by being pretty darn catchy as the chorus shuffles along. That Big Sean bridge sounds like it should be in a Rebecca Black song though, amiright?!?

Alright, that's enough. You get the point. I can sit here all day and examine each song on a subatomic level and somehow convince myself that this album is a worthwhile endeavor for me. But I'm not going to do that, and you know why?

Because this is a cookie-cutter collection of songs created by a Jonas Brother and an army of paid collaborators. This isn't what I do!

I’m glad I listened to this album, I really am. If someone tries to claim that Last Year Was Complicated is a shit-heap of garbage, I will now have the power to rebuke them. It is not all garbage. There are some individual moments worth listening to. I would know. I listened to it.

I wouldn't recommend this to anyone, mainly because the people that ask me for recommendations usually share some part of the Music Tastes Venn Diagram with me. People who listen to Nick Jonas don’t care enough about music that they would ever ask anyone for recommendations. Why would you need to know if you should listen to Nick Jonas when you're happy to have MTV spoon it down your throat?

I’m going in circles now. I'll stop. Is this album terrible? No. Is it good? No. Goodnight folks!

GRADE: 1.5 pukes out of 5

BEST SONG: “Close”

Monday, August 29, 2016

Why Don't We Get Drunk: A Jimmy Buffett Concert


The camera zooms in from atop the highest Camden structure, the Ben Franklin bridge, at exactly 3 PM, and it zooms in on a little parking lot along Martin Luther King Dr., and it zooms in through the checkerboard of brightly colored canopies, and finally spots our protagonists, eight young heathens, preparing for an event that, if you google it, turns up nothing but pictures of middle-aged cougars with their tits hanging out.

Yes, this is a Jimmy Buffett concert tailgate.

Cut to the concert itself, and we’ll see the stadium packed, but the energy low. Jimmy Buffett doesn’t pump you up, he cools you down. There’s no question why he only plays his tunes in the summer, because this is summer music. The steel drums, the congas, the gentle strum of an acoustic guitar, this is music that requires you to put down your PBR and pick up a margarita.

We cut to the concert, then, because this is a music blog, but really, to focus on the concert itself would do a disservice to the experience that we tried to cultivate (and I'd argue were successful with) back at the party. The stage was a blip in the distance from our lawn seats, and the music was soft and blended together because most of the songs sound the same to my novice ears. The heart of the day was back on the concrete down the street from BB&T.

And so, we pan the camera back to the tailgate. It’s 6 PM now, and everyone is four Landsharks deep already (unless you're pregnant, of course). Setting the scene here: one canopy, decked around the circumference with Hawaiian-themed cardboard characters and flowers; two tables, the first loaded with Margarita mix and every liquor you could fathom would also be found at a beachside bar, the second with food. This is Philadelphia, so there are soft pretzels present. This is temporarily NOT Philadelphia also, though, it's the Florida Keys, so next to the pretzels there's a watermelon carved in the shape of a shark.

The camera is in first-person view now, from my sitting position on a low Tommy Bahama beach chair, and the camera pans from side to side. We see tiki torches and beach umbrellas and blenders plugged into extension cords tumbling out of car windows. We see milfs in bikinis swimming in a baby pool filled up in the bed of a pickup trucks. We see grills about every seven feet. We see a drink in every hand.

To say that we, the patrons of this parking-lot-turned-tropical-island are a group of like-minded individuals would be disingenuous. Survey 100 flower-print-clad people in the lot, and I bet you 90 would argue that we need to "Make America Great Again," and boy oh boy do I find our country as a whole embarrassing because of that shit.

But to say we were all alike isn't the point that a Jimmy Buffett concert attempts to make. The point, I'd argue, is this: we come from all corners of the city, and we are decent to each other. That dude who looks like an obese South Philly plumber, who is sweaty and obnoxious and loud and crude? When he walks past our tailgate, he is my best friend, and we laugh and joke and wish each other the best.

This is a music blog, so I am sorry when I say that I can't critique Buffett's music. I can't and I won't. That's not the point. How can you critique something that is meant to be, not heard, but felt?

So we pan the camera one last time, to a group of eight young adults. It’s 8 PM now, and the sun is mostly down, and the crowd is picking up their lawn chairs and starting the exodus to the stadium. There are eight smiles on camera now. This wasn't a day that will change any of their lives. It was just a day that affirmed that life is good. Life is fun. Life is worth living.

Sorry, I know, that's probably hyperbole. It was just a nice fucking day, alright? Music is a pretty great reason to have a good day sometimes.

Friday, August 26, 2016

Top Five Musical Fucks

Some day, if I have children and they are growing old enough to listen to music, I’m gonna have to comb through my iPod and try to pick out all the coarse language. I know there’s a lot of it, it's just that I don’t really notice. I live my life unrestrained from society's ban on cursing. I swear a lot. I'm numb to it. It takes a lot for me to stand up and take notice at someone saying the word "fuck." Here’s my top five favorite songs where the Fucks that really stood out.


5. "Demons" by the National


"When I walk into a room, I do not light it up... Fuck." (around 2:40)

Matt Berninger could have a Top Five all to himself for well-placed curses, with that silky baritone of his. "Demons" takes the cake though, because the lyrics are so depressing, as if he's almost listing the reasons he's a fuck-up, and the bridge continues it (though an octave higher now), and when the Fuck finally comes, you can just feel the resentment and disgust in his voice. Plus, that pregnant pause kills me every time.


4. "Positive Tension" by Bloc Party



"So fucking useless!" (around 3:18)

Bloc Party used to be a really tight band. Like, every instrument was on point every step of the way. That tension really showed in, um, "Positive Tension," especially in the climactic ending, the one that starts at 2:34, when the guitar is strumming and the drums—goddamn that drummer was good—and everything just starts crashing around them, higher and higher, and finally collapses to just the vocals, singing that great glorious swear. The song quickly fizzles out, because really, there’s nowhere to go but down.


3. "Fear and Loathing in Mahwah, NJ" by Titus Andronicus


"FUCK!! YOU!!" (around 1:12)

As the first song on Titus's first album, It’d be too easy to say that it was the opening thesis statement to their entire discography, but I honestly believe it to be true, so we’re gonna stick by that. Titus Andronicus, throughout the eight and a half years since this song’s release, has never stopped fighting "The Enemy." The enemy is everywhere. Call it a blank slate for whatever is pissing you off today. Well, guess what Titus Andronicus responds to these very things that make our lives miserable. You got it, man. Fuck you!


2. "I Want to Be Well" by Sufjan Stevens



"I’m not fucking around!" (first one around 3:42, many repeats)

Sufjan wears many hats as a performer, from banjo-toting historian to church-going choir boy to sad quiet orphan. I can’t really say anyone expected, however, when he released Age of Adz in 2010 and revealed his new persona as a suicidal synth machine. Adz is as thick in length as it is in reverb and computer wonkery, but goddamn, Sufjan’s emotions shine through just as hard as if it were just him and his guitar. And like I alluded to up there, Sufjan isn’t particularly the type of singer you'd expect to curse in his music. So when he starts yelling "I'm not fucking around" over the absolute wave of synths, punctuating the curse itself ("I’m not fucking around," almost snarling), it felt so cathartic. It felt like Sufjan was finally himself.


1. "Point/Counterpoint" by Streetlight Manifesto


"Fuck it, thank you, I love you all!" (around 4:53)

Chalk my number one song up to nostalgia. When I was seventeen years old, with a fresh driver's license, we would blast this shit out of my parent's Toyota, and sure enough, when the band stops and the singer curses the world, so would we: windows down, fists in the air. Ska is juvenile, sure, but so were we. In my mind, there was no better expression of our youth than the climax of this tune.

Thursday, August 25, 2016

SO/SN/SB/SB Wk. 1

Something Old
(an album that came out before 2016 that I’ve been listening to)

Not sure how I went my whole life without listening to The River by Bruce Springsteen, but man, it really gave my stagnating opinion of Bruce a swift kick in the ass. I think I’ve avoided it because I made unfounded assumptions based on the three songs that are in the WMGK canon—"Independence Day," "The River," and "Hungry Heart"—the first two are bummer slow songs, the third, corny as fuck. But someone should have told me what a banger this album is! Almost 3/4ths of the album is the E Street Band going balls to the wall. It’s a party album! And even those quiet moments make more sense in the context of being a breather between the rest of the hot takes. Born to Run be damned, I might have a new favorite Springsteen album.

Something New
(an album that came out in 2016 that I’ve been listening to)

Every year, I hope that Of Montreal puts out a great album. I have the opportunity to hope this every year because the band literally almost puts out a new album every damn year. But I know Kevin Barnes has greatness in him. I’ve heard it. 2016’s jaunt is Innocence Reaches, and it probably comes closer to greatness than any other of their other efforts in the 2010s, even if it doesn’t quite get there. But it honestly reaches that balancing point between psychedelic maximilism and grounded rock 'n' roll better than Of Montreal has in a while. Songs like "gratuitous abysses" and "chaos arpeggiating" are still weird as shit, don’t get me wrong, but they are at least anchored to the goddamn ground, unlike the pile of beige noises they put out last year. If you like Of Montreal but are growing weary like I am, maybe give Innocence Reaches a shot. It’s either going to be mildly refreshing, or you’ll swear them off forever. At this juncture, I’m feeling the former.

Something Borrowed
(an actual music critic talks about an album better than I can)

Chris Deville of Stereogum, in his Album of the Week column, describes Connections’ Midnight Run, a neat little album that kind of reminds me a bit of Titus Andronicus' The Airing of Grievances, if they toned it down and polished the hooks ever so slightly:

"Midnight Run is this band's finest collection of unpolished gems. As ever, they've delivered a batch of churning, physical power-pop songs topped off with ripping guitar leads and the kind of buried vocal melodies that sneak their way into your consciousness. The music inhabits a sonic space somewhere between Cheap Trick and Flying Nun, populist in style yet boutique in scope. You’ll get a similar Camaro-blasting vibe from Diarrhea Planet, but rather than blast you across the face with over-the-top theatrics, these tracks are stripped to their raw material, letting the songwriting outshine its aesthetic container.

And if you give them the chance, these songs really do shine."


Something Blue
(an album I will NOT be listening to this week, or probably ever?)

Listen, folks, Stranger Things on Netflix was pretty damn good! It was the perfect Summer Popcorn Series, if you will. Despite the heavy sci-fi, it was a simple A to B story. It was thrilling! But holy moly, it’s becoming way too overhyped! At least once a day on Facebook, someone claims it was the best series they’ve ever seen. Slow your rolls, friends. I liked it, I didn’t LOVE it, and I certainly do not want to listen to the soundtrack. The alien music was really neat in the context of watching television, but damn I could not listen to that shit for an hour straight by itself.

Wednesday, August 24, 2016

Real, Pam

I have to admit I did not like this album on first listen. I literally knew nothing about Lydia Loveless before we decided to start this album review thing and Joe suggested checking her album out for the first week. I first noticed the very cool twang about her voice. She almost sounds like a Midwestern country version of Neko Case. For me though, the style of her album was not very interesting. Then I read the AVClub interview with Lydia Loveless (that Joe posted) and I wanted to listen to the album again, this time with a more critical ear because I liked what I read about her as a person.

I remembered a quote from a movie that I always think of when I listen to music—"A melody is like seeing someone for the first time. The physical attraction. Sex. But then, as you get to know the person—that's the lyrics. Their story. Who they are underneath. It's the combination of the two that makes it magical." I won’t say what movie it’s from, because that might discredit this whole review... okay OKAY, it’s from the 2007 rom-com Music and Lyrics starring Drew Barrymore and Hugh Grant. Judge away—whatever—I still love that movie AND I do seriously think of that quote when I listen to new music for the first time. The melody needs to grab me and pull me in. This album did not do that for me right away. This album is THAT guy—you wouldn’t look twice at him in a bar, but turns out he’s really funny and cool.

After reading the AVClub interview, and listening with a more critical ear—intently listening to the lyrics—I heard a deeper, darker side to Real and Lydia Loveless. Her lyrics are cool, and thought-provoking. In "Heaven" she writes "I thought I would be okay / But everything just happens / Everything is an accident, man / No one goes to heaven." This resonated for me. Life is short, there is no "God’s will"—everything is an accident and just happens—and, as she also writes "Paradise is only for the weak." I interpreted that as how believing in paradise and heaven is easy to do because it's a happy ending for everyone. I'm not shitting on anyone's beliefs or anything, but she captured this sentiment really perfectly for me.

"Midwestern Guys" was a solid song about solid guys from the Midwest. The more I listened, the more I liked Real. "Longer" sounded like my favorite high school angsty band—Saves the Day—meets Shania Twain... haha but it works, I swear. The guitar in "Bilbao" was compared to Death Cab’s The Photo Album in AVClub’s review (give me a break this is my first album review I’m EVER writing, I needed a little inspiration to see what album reviews entail) and I totally agree. It was beautiful and a little depressing and a darker expression of a story that's been written about a lot—think of Adele's “Hello.” Everyone has an ex that creeps up into their thoughts every now and then... what if we had ended up together? That’s how I heard "Bilbao."

The song on this album that DID pull me in by the melody alone was "European." FUN. Making-out-with-a-stranger-in-an-alley-way-in-New-Orleans FUN. "Clumps" was a lovely and sad acoustic account of the disappointing feeling of potential new love turning to shit. "Real," the last song and title track, was, again, depressing and honest, with more of an Americana sound that the rest of the album. Does she play slide guitar (it took my ten minutes to look this type of sound up on YouTube)? She sings about a dude who is so good she believes he's the real deal. But he's not real at all. There's more I could say about this album, but we have to leave for Monday Beer Runners (and if you know Joe... we have to be the first ones to arrive).

Bottom line: Our girl Lydia has gotten burned. This album was emotional and honest and she writes about REAL shit that we all go through... see what I did there? I really enjoyed this album after a few more listens than I would typically have given it. There’s a lot beneath the layers wrapped up in some seemingly benign country twang.

Lessons learned: I need to listen to an album at least five times before I make any kind of judgement call. This is why I'm a nurse and not an album critic. Girls, go talk to THAT guy at the bar. Give him a chance you may be into him after getting to know him a little better.

Will I listen again? YES.

Real, Joe


Real
Lydia Loveless
August 19, 2016

If there's one thing that Lydia Loveless has different with her music, compared to the rest of my iPod, it’s the voice. Southern twang is the name of the game when it comes to the vocals. Naturally, this makes the music sound like part of the "country" genre.

Really, though, that's about all it has in common with country, as far as I can hear. Otherwise, the music is pure female-driven rock 'n' roll. And Real is all the better for it.

Yes, this is an extremely subjective way of thinking about it, because, yes, I am irritated by "country" in general. I usually think about that YouTube video that had a bunch of country songs layered on top of one another, and it all sounded the same. (I also think about how most country fans are also voting for trump.) I do not like this type of music.

Lydia Loveless is just straight rock and pop here, though. Nothing too complicated. 4/4 drum beats, rhythm guitar. There's the occasional flourish, such as the funky bass on "Heaven," but mostly we barrel straight ahead. I could maybe see Katy Perry singing some of these songs.

Look, this isn’t anything that’s rocking my world. GREAT music chokes me up, makes me lightheaded. GOOD music, I dunno, maybe I could see putting it on at a barbecue or something, nothing too crazy. This is good music.

Overall, I appreciate what Loveless is doing, and I’m glad I broadened my music tastes a bit and made room for this little nugget of comfort.

GRADE: 3 pukes out of 5

BEST SONG: "European"

Saturday, April 2, 2016

MySpace Survey

Guys, it's 4:30 PM on a Saturday, and I'm sitting in my pajamas in my house, no plans to go out. Let's do an old-school MySpace survey (copied, actually, from my old Xanga, but I feel like the term "MySpace survey" is a bit more ubiquitous).

1. What is your name?: Joe

2. What is your favorite color?: Kelly green.

3. Are you allergic to any foods?: Not that I know of.

4. What is your favorite variety of M&M's?: I'm pretty partial to the peanut butter jawns, but regular peanut is growing on me.

5. What is your full name?: I will not disclose this here, because I like to pretend that if I don't use my name, the police won't be able to prove who is actually typing this, you know, in case PoYB is used in some criminal investigation. It could happen!

6. What is your blood-type?: I honestly don't know, and I know that's not good. I'm the asshole bleeding on the side of the road, wasting all the paramedics' sweet, sweet O- blood because I don't know what other blood I could actually handle. Mom, if you read this, please call me and let me know what my blood type is.

7. When was the last time you cried?: I cry a lot when I'm drunk. Never in public! It's not like I get loaded and then the tears start flowing. But, at the very end of the night, if it was a particularly bad one, maybe things didn't turn out the way I had hoped, maybe my wife is similarly drunk and fighting with me, maybe, I dunno, maybe I cry sometimes. Sober? Rarely. Most funerals, some weddings, an extremely occasional career-fueled stress cry. Not much more.

8. Have you ever faked sick?: I remember doing this a lot more when I was younger. I remember with white-hot embarrassment and shame multiple times faking sick during sports games so I wouldn't be counted on in the big moment. I remember faking sick occasionally during grade/high school, days when I didn't want to deal with that shit. (Surprisingly, I don't feel as much shame for those days, surprising due to my career now in truancy prevention.) Nowadays, I don't fake sick. Usually, I fake well. No use missing a party because of a silly sore throat or flipped stomach.

9. What was the last lie you said?: I told a client that I had a family thing and that I could not make a home visit today. It was a lie. I didn't want to work today. I wanted to come home, put on my pajamas, sit on the couch, and do a goddamn Xanga survey.

10. Have you ever cried during a movie?: Usually, I get choked up with emotion during movies—the really good ones—but I don't think I've ever actually, full-bore cried. Closest I've ever came was probably WALL-E. Something about the closing credits montage, the one in which silhouettes are starting a new civilization, something about it gets me every time.

11. Who was the last person you couldn’t take your eyes off of?: See, one should probably assume that this question refers to the one with whom you are smitten, the one that figuratively holds your gaze irrevocably. The answer to that question, obviously, is my wife. But if we are taking this literally, I guess I'll go with the junkie I saw sleeping while standing up on the westbound side of the 15th Street El stop. I on the eastbound side, he straight across, I could not keep my eyes off him, because I was afraid he was going to sleep-fall right onto the third rail below.

12. What is your political persuasion?: I am registered independent, which is a pain in the ass during primaries in our closed-vote state of PA, but otherwise I am happy with my decision. I am not a Democrat, and I'm certainly not a Republican. These parties are run by the elite, and they disdain people like me. I am but a number to these fat cats. Look, I don't know enough about politics to say anything more than this (I don't even know enough to say Vote Bernie, despite the fact that, yeah, parts of this paragraph sounds suspiciously like #feelthebern): I don't trust a single fucking politician, they are all corrupt, fuck them all. My viewpoints are not really helpful when it comes to making this country better or whatever, but when it comes to politics, I'm forever a cynic.

13. Have you ever been in a car accident?: Technically, yes, but let's all pretend no. It was 5:30 in the morning, I was driving my parents' long-time minivan, and I was pretty sleepy at a red light on Rising Sun Ave. My foot hit the gas instead of staying on the brake. I hit the car in front of me. The vehicle was an SUV; it didn't have a scratch on it. My minivan's hood was ever-so-slightly bent on the driver's side. No harm, no foul. The other guy agreed. We went our separate ways. I arrived at my then-job as a police dispatcher, and checked the police records in the area to make sure the dude didn't two-time me by calling 911 later. He didn't. The van still drives to this day.

14. How old were you when you received your first kiss?: My wife kills me when I make the joke that I know the exact date of my first kiss. Even though it's true, I do know the date, it truly is that—just a joke. No, the only matter of importance regarding that first kiss was that it was the first in a very long line of kisses with an equally long line of drunk and/or stupid women, and counting from that first kiss all the way down the line, I eventually ended with someone I wanted to kiss again. That someone is now my wife. This is how I try to frame the joke when she gets upset.

15. Have you ever had an online relationship?: So many AOL chatroom five-minute relationships. So many 17Fs from like Colorado, who all weirdly claimed I was cute even though all they saw was the words I was typing. Then I found the one I love and want to marry, and THEN online dating really took off, so I missed the boat on that whole thing.

16. Have you ever had phone-sex?: If you're asking whether I ever jerked myself off while the girl on the other end of the phone line was ostensibly fingering herself or something, then the answer is: Yes. Once. But this was eons ago, when texting didn't exist, and the fifteen miles between us might as well have been 150,000 because neither of us had a car, and I was sixteen and a virgin and horny and the phrase "dick pic" wasn't even a blip on my goddamn radar. I don't have phone sex anymore because why the fuck would I need to?

17. Have you ever been rejected by a crush?: No. And that answer is gonna sound sooo douchey, but I swear, that's not what I meant. I've either: A) Had a crush, been accepted by said crush, steadily lost the "crush" part, broke up with the crush or, B) Had a crush, and not acted on it because I was a pussy and maybe I knew that it wouldn't work anyway, or, C) Had a crush, drunkenly made out with her, then woke up the next day thinking maybe she isn't a crush after all, or, finally, D) Had a crush, acted on it, accepted, yadda yadda yadda married. I think option B is key to understanding the answer to my question. I've had crushes, but any crushes that I've lucked into reciprocation have never been me pulling the trigger. It either happens or it doesn't, I've never TRIED to make it happen because, again, pussy, coward, etc. Moot point, because of option D, but hey, I'm just answering the goddamn question.

18. Is there anything that you have done that you regret?: Of course. If you are the type of person who says they regret nothing, you're a fucking liar. But—and I know this is corny as shit, but I'm gonna say it anyway—but, the way I look at it is, every regret that I have ultimately helped pave the path to where I am now, which, on most days, is a-fucking-okay.

19. Have you ever danced in the rain?: One time, I was drunk on the edges of La Salle's campus, imbibing heavily on a summer night with a few friends, when all of a sudden thunder cracked and the skies opened up. We ran outside, and if my hazy memory is correct, we literally danced in the rain. That was a weird night, only in retrospect, and only because a pair that I danced with would be wrapped up with me in some high-stakes drama by the end of the month. Obviously, the less said the better on that subject. That was the summer of 2008. Almost eight years later, and I still feel weird, even though the drama is long dead and buried. It was weird because that one instance that summer was so carefree and joyous and benign, in such juxtaposition to what happened a few weeks later, and that one later memory curdled everything that came before. And that's the time I danced in the rain, everybody! Come back soon!

20. Have you ever tried drugs?: No, I haven't (alcohol is a drug, but for the purposes of this exercise, let's pretend that it's not). I think I made the decision when I was like sixteen to not do drugs, and at the time I'm sure I was just being a huge fucking pussy, but over time it's kind of warped into a strange, humorous thing that I wanna keep going. Like, people look at me and spend time with me and assume that I smoke weed. And I probably give off that vibe, so these assumptions aren't baseless. So I find it funny to be a contradiction, a marijuana-lookin' dude who doesn't smoke pot. (This is the inverse of the personal joke that sometimes I'm the biggest drunk load in the room but the only one with a mortgage and a wedding ring. I don't like being pigeonholed.) I don't have anything against drugs. I'm not that guy. Just not my thing.

21. Do you smoke?: I used to be pretty cool smoking cigars, and when I say "cigars" I mean like the cheap shit such as Black & Milds or Philly Blunts. When you're eighteen years old and you got a Beast pounder in one hand and a sour apple philly in the other, you're cool as shit. On my wildest nights, I could be that guy. But that was back then. A decade has passed, a decade during which I beat the shit out of my stomach with beer and junk food, and now my stomach is weak and can't handle smoke on top of everything else. There are mornings after smoke-filled bars when I put on the jacket I wore the night before and just about want to die. And: There are blackouts when I find myself inexplicably holding a cigarette in between my fingers, but rest assured, these aren't the nights that I'm making that many good decisions in the first place, so it's like, what's one more fuck up on top of all the rest?

22. Have you ever been drunk?: *deep breath* The short answer to this is: Yes, I have been drunk.

The long answer to this is: I have been drunk more times than I could possibly count, and every night with my friend alcohol is a coin-flip. It could be the best night of my life, and it could be a night that produces enough nightmare-quality memories that I could fill a Stephen King novel.

I very often stuff hundreds of ounces of liquid down my throat, and for what? To have less control of my limbs; to become obnoxious and loud and crude; to piss often and sometimes inappropriately; to not being able to communicate as if I have been struck mute; to act like such an asshole that it's to the point that I'm literally writing a reminder list of people I have to apologize to the next day. And yet, goddamn do I love it all.

A few life events have convened recently that caused me to be sober this weekend, this very weekend that I am typing this in pajamas with the sun still up, not a drop of alcohol in my veins. There's some shit that is popping up from my weekend's sobriety I want to get off my chest.

With a half-marathon that I foolhardily signed up for months ago looming but days away, and $300 at stake in a cut-throat weight-loss competition, I found myself leaving work at 4 PM on Friday, committing myself to not drinking this weekend. Like, at all. This led to me attending a Phillies game stone-cold sober for the first time since I grew pubic hair. This led to walking through a semi-crowded but loud Xfinity Live! and being faced with the prospect of dancing, and then backing away slowly, slowly, until I backed up right into the subway car home. This led to staying at home on a Saturday instead of facing another bar armed with only a water w/ lemon.

If the above paragraph makes it sound like I am scared, I am. I'm scared because I stripped away alcohol for not even 48 hours and I find myself faced with the mawkish realization (again) that, maybe it's not that good that I feel at that base of my being... that I... might need alcohol to function.

Woah, woah, okay, let's take a step back here. This is me, pitchfork in hand, keeping the AA zombies and alcohol counselors with $$ for eyes and knowing cynics at bay. Stay back, fiends. You're right that I said I may need alcohol to function, but let's examine the very specific way in which I do.

Because I don't get the shakes when I don't drink. I don't wake up craving a beer. I can choose to go cold turkey for any length of time (an hour, a day, a week, more) without a single white knuckle in sight. I have a rock-solid relationship with my wife, a stable house in which I live and of which I regularly upkeep, an even more stable job with benefits, a job that I (in general) succeed at. None of these things have been threatened by any type of alcoholism of any kind. I am sober for the majority of my hours awake. This isn't some classic-AA Denial shit. I'm self-aware.

What scares the ever-living fucking SHIT out of me is that, yeah, despite all that, I don't think I'd be able to live without alcohol. Let's call it a social disease.

For the past eleven years of my life, 99% of my GREAT TIMES have been when I was drunk or surrounded by alcohol. I call it a social lubricant, but if it's not for me? What if it's the lubricant and the gears and the nuts and the bolts and the whole goddamn machine? What if I can't function socially, like, at ALL, without alcohol?

What if the person you know in social settings isn't me? What if it's Drunk Me?

What if everyone likes Drunk Me, and no one even knows who the fuck Me is?

This is what has been haunting me over the past 24 hours. I feel like, sometimes, that maybe I made a mistake drinking so early in life. Maybe I should've built some kind of personality first, and then layered the alcohol on top of it. Because if I didn't make any mistakes, then why do I feel like a goddamn ghost if I'm the only one without a beer in my hand?

What's shitty is that it isn't even the alcohol itself that is bad. I've drank 10,000 beers in my life, and my life is still fucking great, and the trajectory is only pointing up. What's shitty is that now, since my life is great, maybe now I'm starting to question whether it would be just as great if I stopped drinking? Would I be able to find meaning in my life?

Here's the part of this blogpost where a less-wise Joe would commit to MAKING A CHANGE. I would say something like, "I'll drink less!" Or maybe I'd make some kind of concession, like, "I'll only drink on Saturdays!" Or (and this would be a whopper), maybe "I'll stop drinking all together and just get used to it!"

But I'm not stupid. I know there are situations in which I'm going to drink, and I'll fucking enjoy doing so, and that's okay. I'm not going to be sober at a goddamn wedding or something, ya know?

I just wish... I mean, I guess the whole point of this sad-sack shit rant was to say that, I wish I didn't feel that way. I wish I didn't feel so uncomfortable in my own skin when I sober in a drunk atmosphere. I wish I could enjoy myself whatever the context.

The fact of the matter is, when I find myself with the opportunity to drink, and I choose not to, I feel like a fucking jabroni. And maybe, emotionally speaking, that ain't too good.

23. What's your favorite fast food restaurant?: Wendy's.

Thursday, December 31, 2015

2015 in Review: Table of Contents

2015 was awesome!

My 2015 in Review

Cheers to 2015!

Life is pretty great, isn't it? I'm not going to be hyperbolic and say that 2015 was way better than any other year. But it was a solid fucking year, and it never failed to keep things interesting. Here are 20 Big Ideas from the past year in my life, in no order except maybe thematically.

1) Pam and I went on our honeymoon

We started the year in one of the best ways possible: over a week of sun, beach, and every Jamaican drink we could get our hands on. It was relaxing, for sure. But I'd argue the most important thing about our honeymoon is that we were able to just kick back and enjoy some free time together. It was a bonding experience. Remember folks, just because you're married doesn't mean you can get lax at working at your relationship. The honeymoon, I guess, acted like a sign of things to come for 2015. I grew even closer to my best friend, and it made 2015 all the better.

2) I had the same job for the entire year

This was the first time I've had the same job for an entire calendar year since my years at the Laf. And this is a good thing! I think I've finally found a job I want to stick with. It's frustrating as hell sometimes, sure, but what job isn't? The pay is pretty okay! The benefits are good (I'm an adult and I guess I should worry about those things)! Everyone I work with is super nice (except asshole lawyers)! I get mad OT! I'm helping a few people out in life every once in a while!

3) I spent a lot of time in urban Philadelphia

I'm not really inclined to say where exactly I work, because this is the internet and bad things happen here, but I'm sure if you know me, you know where I work, and know too that it requires me to head into some of the seedier neighborhoods in Philly. And goddamn, do I love it. I love the sense of exploration I get when getting to know this city. It's the greatest city on Earth, and when I say that, I don't just mean my usual haunts in gentrified Fishtown and hometown pride in the great NEast. I mean everywhere. The warzone of Juniata to the always dreary Southwest, this city is unique and wonderful. It may lose its luster a bit when I finally get mugged or assaulted, but for now, I love every inch of Philadelphia.

4) Pam and I had weekends off

Pam had a great year too. Because I'm a self-centered asshole and this is a post ABOUT ME, I won't touch too much on her great achievements this year, notably getting her master's degree and getting published. Best of all, she got a new job which she really likes. And, finally, both Pam and I have off every weekend together. Guys... it's magical. Saturday and Sundays are the best days of the week, and I never knew it before. Each 60-hour period is like a mini-vacation we have together once a week. "I never drank this much till I met you" is Pam's constant refrain. I'll take that as a sign that we are living each weekend to its full potential.

5) We started Monday Night Beer Runners, and tried to be healthy...

Because of the whole "regular hours" thing, I finally got one of my long-standing ideas up and going. Monday Beer Runners is an open-invite hangout every Monday night, when we pick a different bar in the Philly area and run a quick three-mile route to and from it (no repeats!!!). We finish off the night with a few beers among friends on a night of the week that has no business being a fun night with friends. Going into Week 49, I'd call Monday Beer Runners one of the better successes of the year. It even gives us a little piece of mind that we are doing fucking something to better ourselves at least once a week.

6) ...but I was still pretty unhealthy this year

Sure, we run once a week, but we still end it slugging pitchers of beer. In fact, I'd say that, for the most part, our weekly runs were the exception to the rule, as far as health went. I've eaten so many Wawa sandwiches, cookie cakes, and Jr. Bacon Cheeseburgers this year. I need to change. I want to. But I am weak. This is the heaviest I've ever been. Happy New Year's!

7) I actually did some shit around the house I was proud of

I mean, it wasn't too much. I'm proud, overall, that the home we own is still standing, and, I dunno, that, like, I was able to keep up with doing the dishes every day. My crowning achievement was fixing the toilet, TWICE, without needing to call a plumber. COME AT ME BITCHES.

8) I didn't cut my hair the entire calendar year

I confirmed this with my Mother recently: I got my first haircut in 1989. This means that 2015 was the first calendar year of my life during which I did not get a haircut. I got married 8/31/14, and I still have my wedding cut. Is this important in any way? No, not necessarily. I became a manbun guy this year, which is weird. But more people seem to like it than dislike it, so I guess I have that going for me. My wife likes it, and that's what matters. So, again, was it important? Ask me, and I'll tell you no. Based on the number of comments I got about it, maybe others would argue it is important.

9) The Phillies fucking sucked

The saving grace of this season was that they didn't lose 100 games. They lost 99. Seriously, guys, I miss good baseball in this town. The summer of 2015 was a great one, no doubt, but something was missing. The warm weather months always seemed so much more exciting when the Phillies were lighting it up in the background. Summer has lost that electricity. Listen, I know sports aren't that important. They didn't make or break the year. But when all four major sports teams suck, that's just one less thing to get excited about. Maybe 2016 will be better... but it will probably be worse.

10) We traveled a decent amount

We're not that couple that jetsets to crazy ass places on all corners of the world constantly, but I feel like we find a comfortable middle ground between that and being homebodies. Other than the aforementioned honeymoon, we hit up some other cool spots. We took a trip to Milwaukee, which is a weird place to visit until you actually get there—the town has history, the food and drink were bangin', and the people are friendly as fuck. (And, amusingly, we considered this our anniversary vacation. Yes, we went to Milwaukee for our anniversary.) Other than that, we did the requisite trips to Wildwood, all of which were just as fun as Wildwood has been every other year of my life. Pam, of course, went to a few other places without me, but I'll let her talk about those whenever she finally gets around to posting on Puke on Your Birthday.

11) I listened to a shit ton of music

Check out my Year in Music Review on PoYB for more on this. It was a great year for music, and because of my good friend the torrent, I was able to stuff a lot of it into my ears. As always, music brightened up my world whenever it felt dull.

12) Pam and I got in our biggest fight

But that would certainly be silly to talk about it on a public internet forum, wouldn't it? Suffice it to say, after the week-long fight, it was put to rest for good, and we both came out of it better than ever. Hi Pam, thanks for reading, hope we don't fight about my Year in Review next!!!!!!!!! ;-) ;-) ;-) #LOL

13) I started (and probably gave up on) an Instagram account

I laugh more at my own jokes than other people do, which makes me the worst person in the world. This foul quality of mine was personified in an Instagram account. About four people found it funny, and about 400 people wanted to quit Instagram over it. I tried!!!

14) The Year in Parties and Get-Togethers

Not as many as in years past, but the K***s got some people together for some good times this year. We got Pam blackout on the roof of Moriarty's for her 30th birthday. We loaded up backpacks full of wine and walked to see the Holy Father all drunk and pious. We traveled back in time to the Casbah for a little Halloween action. We gathered up pretty much everyone I call Friend and drank the night away along the Pike Hike. These were some great times. Other people created even better opportunities to spend time with loved ones. Dwyer put together a bar crawl then ditched it for another party. Kev gathered everyone on the Fourth of July and we repaid him by throwing 100 empty beer cans onto his roof. Sam had a bachelor party in the woods, which turned into history's most intense game of LCR. I went to Maeve's every week to get drunk, basically. I didn't go to the Grape Room once. Listen, one of the best things about the people I surround myself with is that I'm never bored. There's always a gathering to attend. And I'll always be there.

15) I no longer mourn the end of college

As pathetic as it sounds, ever since 2011, I've deeply hurt at the loss of college. It's funny, but it's also fucking true. My time at university was more important to me that anyone at that damn school will ever know, so when it was over, it took a while. I'm happy and confident to say, however, that at some point in 2015, I got over it. I don't think about La Salle and weep at my loss. I am able to think fondly about my years there while still enjoying the present. Finally.

16) My niece was born

Before 2015, I didn't give a FUCK about babies. Seriously, if you've posted a picture of a baby on Facebook in the past five years, I've probably reported the post to Facebook for sexual violence or something, just out of spite. But L**** changed all that. She is super cute, and she is the tiniest human being I've ever held in my arms. I can't fucking wait till she's old enough to tell stupid jokes to and to laugh together at our farts.

17) Pam did not get pregnant

As of last week, we have been successful in 68 out of 68 attempts at not becoming pregnant. That's a 100% success rate! Listen, like I mentioned in the last point, I like babies now, but Pam and I wanted to get at least one more calendar year in the books where we didn't have to worry about all that. It was great! We stayed out late, we enjoyed ourselves, we cared about no one but us! It might be time to settle down soon, but for now, not being pregnant was pretty enjoyable and carefree.

18) We lost some good people

I don't believe in social media mourning, but I'd be remiss if I didn't say that a few good people passed away this year. They will be missed.

19) Friends and family got engaged, got married, bought houses, had babies

Sometimes I'm sitting on a barstool at McNally's surrounded by the same ol' usual crowd, and I think that we are the same as we've always been, all of us. But then I realize that is stupid. We're all growing older and everyone is hitting those life milestones at a rapid pace now. So many of my best friends got engaged this year. I went to three weddings that were all spectacular showcases for love and intense intoxication. Had a bunch of housewarming parties this year, most notably my sister's, who at her housewarming party... got engaged. Again, my niece was born, and she's awesome. I even had a friend lose his virginity this year (I know you are reading this, and I am so proud of you man!). It's so goddamn comforting to know that as we get older and we start to reach all these milestones, that we're all in it together. Love you guys.

20) We booked a 2016 trip to Vegas

And finally, we look at the year ahead, because that is one of the most important parts about any year, that it comes with the promise that next year will be EVEN BETTER. Yes, we indeed booked a homecoming to Vegas for May 2016 with a group that promises to top any vacation we've been on in a while. And more! At the current count, we have four weddings scheduled, possibly more. That means four bachelor parties, and consequently four nights I'll have to explain to my wife that I SWEAR I just stood in the back I wasn't near the stage you can ask anybody. January is already booked every Saturday with celebrations of family and friends. Wing Bowl tickets are purchased. St. Patrick's Day is firmly circled on the calendar. The family Wildwood vacation house is already rented. And, assuming everything goes normally, there might be another little plan coming together this summer... we'll see!

Thanks, 2015. Thanks for the beer and the beer belly, for the vacations and the relaxing weekends at home, for the sober laughs and the drunken cries. Thanks for not throwing anything shitty my way. Thanks for being stable and content Monday through Friday, and mysterious and exciting Saturday through Sunday. Thanks for all the friends and family you kept in my life, and added to my life as well. Thanks for being a year filled with the shit that matters.

See you guys at Bonner's tonight.

Love,

Joey
12/31/2015

P.S. Check out the rest of my year in review here.

Sunday, December 27, 2015

2015 in Music: Top Ten Albums

This year, I'm thankful for a working iPod Classic that didn't fail me once. I'm thankful for [links that I will not publish here] and all the other means of getting the music that I like. I'm thankful for the great music writers on the internet (especially Stereogum), for turning me on to music that I wouldn't have heard of otherwise. I'm thankful for having a job that allows me to listen to music on a consistent basis, on buses and trains all over the shitty parts of Philadelphia. I'm thankful for every artist that released music this year, whether good or bad, because you gave me an opportunity to appreciate art in its best form. Except you, Adele. You can do better.

Honorable Mentions: Return to the Moon by EL VY, b'lieve i'm going down... by Kurt Vile, Too by FIDLAR, Simple Songs by Jim O'Rourke, Art Angels by Grimes

Top 10 Albums of 2015

10) Ivy Tripp by Waxahatchee

This Philly native takes what is essentially music recorded in her bedroom, and gives it the emotional wallop to make it sound a lot bigger. Not that every song kicks the doors the down—there are some soft and some pretty and some spare tunes on here—but every song sounds like it wants to MEAN something, and very often does.

9) Leavin' La Vida Loca by Antarctigo Vespucci

Antarctigo Vespucci features musician Jeff Rosenstock from Bomb the Music Industry!, and apes a lot of what made that band special too. It's tough growing into being a young adult and middle aged, and this album (like BtMI!) really nails those feelings of despair and desperation, all while being fun as fuck. The music is all upbeat and catchy and the lyrics are the opposite. It's an awesome dichotomy.

8) The Desired Effect by Brandon Flowers

I saw Brandon Flowers in concert this year, and was not really surprised by what I saw after hearing his solo album. He was tame on stage, and he didn't really seem too comfortable up there. He seemed happy and like he was having a good time, but he lacked edge and a looseness that defines a great performer. The whole ordeal matched up pretty well with the album. This is pure '80s schlock, all synths and dancing and pop hooks. In other words, it's lame as shit! And goddamn, is it fun.

7) I Love You, Honeybear by Father John Misty

Out of all the albums on this list, I listened to Father John Misty's the most the year, only because it was Pam's favorite album, and whenever it was her time to pick music in the car, it inevitable came down to I Love You, Honeybear. Seriously, she was crushing hard on Josh Tillman throughout the whole year. It got to the point that she now wants to listen to the Velvet Underground because Misty did a cover of a Swift song in the style of Lou Reed.

Rightly so, though, because this album is awesome. The eleven songs basically take us on a tour of Misty's feelings about love. On some songs, he's waxing poetic about how much he loves his wife; on others, he's berating some drunk hippie whom he went home with. Whether he's being romantic or acerbic, the music is consistently fresh and interesting. It's moving and funny. A thousand spins in Pam's car didn't change that one bit.

6) All of Something by SPORTS

"Another girl punk band?" Pam asked as I spun SPORTS countless times. She's right. Woman artists and bands with girl lead singers kicked ass this year. All of Something is a simple album, and flies by quickly, but it's such a rush. Lead singer Carmen Perry kills it on every song, her precious voice somehow sounding so fierce and so tough. It's a fucking bummer this band broke up already, but I'm hoping we hear more from its individual members sometime in the future.

5) White Reaper Does It Again by White Reaper

Sometimes I don't really have anything to say about an album other than, hey, go listen to it. White Reaper plays straight pop-punk. There's not a slow song on the album. It's all guitar-and-drums variety Rock 'N' Roll with capital Rs. It's fun as shit. I don't really know what else to say, because I suck at this.

4) Beat the Champ by the Mountain Goats

John Darnielle is so damn good about taking a broad subject and making it deeply personal. On Beat the Champ, he does it again, somehow, by singing about professional wrestling, of all goddamn things. The "sport" is inherently ridiculous to anyone over twelve years old. And yet, somehow, Darnielle turns this into one of the most personal, riveting, moving albums of the year. For example, the song "Heel Turn 2" is about fan favorite on the ring that turns into a "bad guy," shocking the audience. Lame, right? But the ballad, in nearly six minutes, tugs at the heartstrings tightly; the line that always gets me is "the president of the fan club up there, choking on his tears." To you and me, wrestling is insanely stupid. To young childhood John Darnielle, wrestling was deeply profound, and he somehow finds a way to convey these emotions to the listener. It's stunning work.

3) The Most Lamentable Tragedy by Titus Andronicus

Titus is one of my top three favorite bands of all time, and unless Patrick Stickles goes completely off the rails, he will continue to release music that is equal parts exciting and touching. Every album they ever release will probably end up on my top ten of any particular year. Why is this album in particular at #3? Because it's chock full of killer hits. Full stop. I count at least twelve songs on this sprawling epic that could go head-to-head with any other of the best songs of the year. It's fucking insane how much quality is stuffed into this sucker.

Okay, so why is it only number 3? Well, there's a lot of filler, to be honest. To give you the most unforgivable example, there's a song that consists solely of a minute and a half of silence. In the most frustrating of rock opera traditions, there are "songs" on here that are stupid, annoying, and often not even songs at all.

So does the story of this rock opera really succeed from a listener's standpoint? Probably not. But when The Most Lamentable Tragedy is good, it's the fucking best there is, and that happens so often. A rising tide raises all boats, and goddamn, those songs that work are a strong tide, and carry this album to insane heights. For all its flaws, this is a piece of art that I will listen to for the rest of my life.

2) Natalie Prass by Natalie Prass

Natalie Prass's self-titled debut is deceptive. Maybe it's her twee voice, or the subject matter (spoilers, it's the trials and tribulations of love). But start adding up all the pieces—her charm, the catchy choruses, the strings piled on horns piled on even more strings—and it starts to become something special.

1) Painted Shut by Hop Along

I just can't get over Frances Quinlan. Listen, I know Hop Along is a band, and the dudes playing the instruments are tight as fuck and make great music. But lead singer Frances Quinlan is out of this fucking world, and they make this album the best of the year. Their voice... how can I possibly adequately describe that fucking thing? Here's the best I can do: Their voice, at every cathartic moment, sounds like it's going to completely fucking implode, but it never does. There's this previously unknown sound coming out of their mouth, and it's fucking unique and such a fucking powerhouse of a thing.

I guess I should reiterate again that this album is great top to bottom; the vocals just send it to the stratosphere. Everything next to the vocals, though, is catchy, every guitar solo is nuts and every drum part is full of energy and creativity. Music like this makes you feel like you can lift a thousand pounds. I'm trying not to get too hyperbolic right now, but I don't even know if that's possible. It's that damn good. I'll stop now.

Tuesday, December 22, 2015

2015 in Music: Top 20 Songs

Other Great Songs of the Year

First, let's start with 40 songs, in no order, that are really worth checking out, but not worth ranking this year. Not much to read here, and obviously I can't see you combing through this list and clicking on every single song. What I guess I'm saying is that you can click at random if you're looking for some good music, and each of these links will bring you to a great song.

"24 Frames" by Jason Isbell ... "Big Decisions" by My Morning Jacket ... "The Big Game (Movements 1&2)" by Sledding with Tigers ... "Black Cherry Pie" by JEFF the Brotherhood ... "Catch Me on the Rebound" by the Go! Team ... "Cause I'm a Man" by Tame Impala ... "Century Schoolbook Grown-ups" by the Sidekicks ... "Cold Blooded" by Gary Clark Jr. ... "Continental Shelf" by Viet Cong ... "Expo '87" by Fred Thomas ... "Full Possession of All Her Powers" by Someone Still Loves You Boris Yeltsin ... "The Graduates" by Speedy Ortiz ... "The Ground Walks, with Time in a Box" by Modest Mouse ... "Half Life Crisis" by Jim O'Rourke ... "Hey Darling" by Sleater-Kinney ... "Hooray for Me" by Antarctigo Vespucci ... "Irony. Utility. Pretext." by Algiers ... "Leaving the City" by Joanna Newsom ... "Living Zoo" by Built to Spill ... "Lock All the Doors" by Noel Gallagher's High Flying Birds 


Honorable Mentions

Next, here are fifteen songs that I consider close to being ranked, but didn't quite crack the Top 20. Any of these songs are a worthy #21 best song of the year. Again, feel free to click on anything that sounds interesting, because you can't really go wrong.


And now, without further ado...


Top 20 Songs of 2015


I'll be honest: If I hear you for the first time on 104.5, I think you're a chump band and instantly take you less seriously. Sorry, Florence. Your new album rocks and this song is super cool. Sorry for judging you on the shitty radio station that plays you the most.


There's something comforting about the Decemberists at this point. Sure, their new album this year was full of missteps—admittedly more than usually—but as always, the hits are still there, and it's still vintage Decemberists. The rhythm guitar leads the way, the drum plays a basic two-and-four, the accordion and violin fill the ranks. "The Wrong Year" is this year's pizza on a rainy day. You won't talk about it years from now, but it is pleasant and you very much smiled when it was there.


Holy shit! This is so corny! I fucking love it!


EL VY is the side project of Matt Berninger, lead singer for the National. On this album, and this song in particular, he reverts back to my favorite Matt Berninger character, the sleazy drunken fool. As the National creeps slowly toward VERY SERIOUS BAND ALWAYS, it was super fun to listen to one of the all time great vocalists just dick around. What is a "green colored 'fuck me' shirt?" Who knows? When a prostitute interrupts your second verse, you know it's going to be a good time.


The lyrics aren't really compelling until they are repeated ad nauseam: "How's the job? How's the family? How's the job? How's the family? Beautiful weather today! Beautiful weather today!" and so on. To me, it's commenting on the monotony of life. iPod in my ears, shirt and tie, on a bus to work on a dreary Tuesday morning... I feel you, Ought.


One of my favorite types of songs—the boozy singalong. You can imagine this had to be a good time to record. Everyone gathered 'round for choruses of "Na-na-na-na..." and a simple hook, "I wanna be with you!" Fun time all around.


My favorite description of a song this year came from a random Stereogum comment about "Triumph": "This song has more hooks than a meat locker." It's true. In a year that featured countless females being badass behind the mic, Screaming Females were tops.


How can a singing voice that's so monotone be so exciting? Sometimes Barnett seems like she just describing what she sees when writing a song. Here, layered over a barreling guitar, Barnett yells about herself, cryptically: "I wanna wash my head out with turpentine," and "The rats are back inside my head." And it all ends with one of the best climaxes of the year. It's essentially a joke. "I'm a fake, I'm a phony, I'm awake, I'm alone, I'm homely... I'm a Scorpio!" Thrilling and fucking weird.


Usually I don't fuck with artists that sing the majority of their songs in a different language. There's something extremely catchy about Christine and the Queens, however, that helps me overlook all the French. It's minimalist, but every song has such a hook that it draws you in. "iT," a song ostensibly about a woman-to-man transformation, leads off their self-titled American debut, and sets the tone. It's easy to find yourself nodding along, even if you have no idea what they are saying sometimes. 


Kurt Vile does here what he does best. Guitar pickin', laid-back vocals, self-deprecating humor, catchy as fuck. Proud to call him a fellow Philadelphian. 


Jeez, Sufjan was depressing this year. I get it, but I don't necessarily want to feel sad all that much when I'm hooked up to my iPod. I want to know the good things in life when I hear a melody, not dwell on the bad. Fitting, then, that the only shred of hopefulness captured on Carrie & Lowell is one of my favorite songs of the year. "Should Have Known Better" starts like the rest of the album, like a dirge. But then that tiny keyboard part comes in, and it's like the sun slowly peaking over the darkness. The pitter patter of the drums layers on top. A tambourine is confidently struck. A choir lifts the vocals higher. Along with the music changes Sufjan's words: "Don't back down!" and "My brother had a daughter / the beauty that she brings." THIS is some happy shit I can get behind. It's fragile, but the beauty is there.


There wasn't much to celebrate this year when it came to the Philadelphia Phillies, so this song will have to do. Philly locals Dr. Dog capture the sound of sweet Philly soul, with hand claps and triumphant synths and harmonies, and wrap it around the fun and anarchy of our fuzzy green friend. Put this in your pocket for a 2025 World Series, folks.


Guys, I don't normally point out videos, but the video for this one is super cool. Like the rest of his beastly album Beat the Champ, John Darnielle of the Mountain Goats sings about his personal experience being a wrestling fan via singing about the very wrestling heroes he cheered for. And the video features Darnielle wrestling the actual Chavo Guerrero. That had to be an awesome experience. So too is this song an awesome experience. Even if you've never caught one minute of action in the squared circle, you'll find something to enjoy in this song.


This is the goddamn perfect road trip song. "Strangers" argues that the only road trip that matters is the one we call life.


Has there ever been a bigger outlier on any album in recent memory? Jamie xx put out a good electronic/dance album this year (or outstanding album, depending on who you ask), and a lot of it sounded like the xx (to my untrained ears). When the album reaches "Good Times," the shift is violent. Gone for three and a half minutes is the slow-build minimalism that is Jamie xx's m.o., and in comes the party song of the year. Featuring Young Thug and Popcaan singing ridiculous lyric after ridiculous lyric, the partying doesn't stop. See you on the dance floor.


Mystikal does a bonkers James Brown impression. Fuck "Uptown Funk," and put this Mark Ronson song on repeat. 


I got beat over the head about how capital-I IMPORTANT Kendrick's album was this year. I won't deny it. There was a lot of violence in America in 2015, and it was depressing and frustrating, and Kendrick rightly captured that turmoil in a bottle and sold it as To Pimp a Butterfly. But then, isn't it refreshing that there's at least one song on this album that is a good old fashioned "I'm The Best" rap song? Kendrick goes on ad nauseam about how he is the king of music. Maybe he's right. It's a really fun song. Maybe I got this all wrong. Maybe Kendrick made this song, in which he is King of the World, to contrast with the stunning lows he reaches on other ends of the album. Maybe I'm not supposed to think "King Kunta" is a great song. Maybe it's all sarcasm. Maybe I know nothing about rap. That's probably right. I like this song.


Every conversation about Hop Along begins and ends with the vocal performance of Frances Quinlan, and rightly so. Their voice alone was my favorite part of all of music this year, and on "Waitress," they reach towering heights. And the scariest part about it? "Waitress" is just one lone song on an album of such stunners. Because of the general one-song-per-artist rule, "Waitress" almost didn't even make the list. Christ.


Part church song, part ode to a grandma, part Grease musical, part love ballad, part awesome rapper just having fun, this song does what Donnie Trumpet & the Social Experiment did a lot on their album: they put together a lot of seemingly incompatible parts and made a weird, fun, awesome whole. 


I always say this: the best art is the art that gives you the strongest physical reaction. Titus Andronicus excels at this, if you consider that the best, most visceral reaction is BEING PUMPED THE FUCK UP. Seriously, "Dimed Out" is takes this band to the fucking limit. There was NOTHING more thrilling this year than Patrick Stickles screaming his face off, louder and faster still, and then that tom rolls comes in and ends in a snare, and the whole song explodes. Fuck. I first heard this song at 5:30 AM while doing laundry, and I last heard this song at 2 AM drunk as fuck on a SEPTA bus, and I found that context doesn't matter. This song fucking rocks.